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Borderland: Cosmic Electronics - Trevor Constable
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COSMIC ELECTRONICS
Trevor James Constable
It is not in an arbitrary decree of God, but in the nature of man,
that a veil shuts down on the face of tomorrow; for the soul will
not have us read any other cipher than that of cause and effect.
Emerson
The basic discovery of radionic medicine and the radiant
nature of living organisms made by Dr. Albert Abrams will probably
be judged by 21st century science as epochal. The subject of
continuous efforts as suppression in the U.S., these discoveries
have nevertheless survived. Split into many different streams and
modes of development--all of them thus far outside official
scientific acceptance--they are nevertheless the beginning of the
new cosmic electronics. The confusion that often exists within
the radionic movement exemplifies the way in which the Ahrimanic
powers, when all else fails, split and compartmentalize the New
Knowledge even as they have the Old. Mechanistic science is a
monument to this kind of splitting action, with its
interdisciplinary barriers and multitudes of highly educated
people barely able to comprehend one another's work.
The reality of this splitting and fragmentation of new
discoveries that are cosmically significant is demonstrated in the
case of Sigmund Freud's work. Working a little before Abrams'
time, the master of psychoanalysis was in no doubt that his
discoveries would eventually open a pathway from psychology to
biology. This was yet another possibility for microcosmic-
macrocosmic relationships to come into modern human ken. Half a
dozen of Freud's followers who thought they were both smart and
right, splintered Freud's work. All became famous and respected.
None found the psychology-to-biology pathway. That achievement
belongs to Dr. Wilhelm Reich, who maintained his direction on the
pathway broken by Freud, his mentor.
Similar circumstances and a similar fate attended Goethe's
major impulses to scientific cognition at the inception of the age
of modern material science. Goethean conceptions lead to a
spiritual, dynamic understanding of natural processes. Following
Goethe's methods of training observation and thought would have
obviated for mankind the Ahrimanic fragmentation of knowledge that
ensued from the mechanistic, lifeless world conception that was
impressed on people instead.
These examples are cited to illustrate how the right pathway,
even when found, can be quickly obscured and lost again through
Ahrimanic influences on vulnerable humans. Vulnerability is
rooted in spiritual ignorance. As long as humanity remains
ignorant of the existence and workings of the Ahrimanic powers
these influences will be felt and wielded in evolution.
Negative superstition sustains these processes and its major
instrumentality is academia. What we have here to relate
concerning these new discoveries, instruments and concepts has
been suppresses by universities and university people. Ask
yourself why this is, when the same segment of society can devote
a disproportionate percentage of its energies to fashioning
devices of destruction. Your answer lies in Ahrimanic inspiration
and control--the control of good men by unseen degenerates. If
you have ever wallowed in the philosophic bog separating human
knowing from human doing, knowledge of the beings from beneath man
brings you to firm ground. Life can then be read with accuracy.
In the case of the Abrams work, there was one individual who
followed the initial breakthrough and in due course found the
cosmic mainstream. That individual was Dr. Ruth B. Drown. Her
achievements do not diminish those of others who devotedly pursued
the Abrams discoveries in their own way. Not one of them,
however, was able to make the monumental cosmic connections that
Ruth Drown established. Her cross-sectional, full-plate
photographs of human histological and pathological structures are
to this day unequalled. These photographs are staggering
verification of the technology from which they are derived.
Almost everyone involved in the radionic field became a party
to the general process of sequestration where these photographs
were concerned. Sequestration is the process of walling off a
discovery by not looking at it or into it, and by verbalizing it
away when it arises to consideration through its own native
buoyancy. In extreme cases, as with Wilhelm Reich, the scientific
literature that would guide men to these principles is burned--in
full legality! Official science tacitly assents to the
destruction of such literature. When the cosmic connections
become too obvious, too strong and too undeniable, the innovator
is legally murdered. The 2Oth century has done no better than any
other in promoting truth, but it exceeds all others in its
promotion of murder.
Our description of the basic instrument of cosmic electronics
will begin with the Drown instrument having nine dials. Her
initial instrument had seven dials, but the reason for extension
to nine dials will become evident shortly. Instruments in this
nine-dialed configuration were being used and made by Dr. Drown up
until her death. They are also now being incorporated in the UFO
research and weather control units designed by me.
In all the world of electronics there is no piece of
apparatus seemingly simpler than a Drown tuner. Each of the nine
dials has ten positions, numbered from 1 to 1O. Behind each
position is a metal stud, leading to the back of the panel. At
the back of the panel a simple loop of wire passes around each
stud on its way to the next stud.
These nine ten-position dials, with a single loop of wire
around each dial position behind the panel, are led out at one end
to two metal plates. At the other end, the dials are connected
via the rubber detecting pad to ground. In a diagnostic set-up,
the patient sits with his feet on the footplates. The patient is
the source of the bioenergetic "signals"--originating in his
tissues--that are to be tuned by the instrument.
In nonmedical applications, any specimen may be placed on the
footplates and tuned by the instrument. The principles of analogy
will have value here in clarifying the functioning of the Drown
instrument. The analogy is with radio broadcasting, but it should
be constantly borne in mind that with a Drown instrument we deal
with life energy and not electricity. The sketch sharpens the
analogy.
All radio and TV receivers have an antenna with which they
pick up the vibrations transmitted through the ether* by the
various broadcasting stations. The antenna collects these
vibrations, leads them into the radio set, and there they are
tuned, resisted, amplified and finally made audible (and visible
in TV) by the processes in the receiver.
*(There is little doubt in the mind of any experimenter like
myself, who has dealt with both the orgone energy and
electromagnetic energy, that standard radio signals are carried by
the orgone continuum as manmade, artificial perturbations. With a
Drown instrument, by contrast, we deal with the native, natural,
primary perturbations of the orgone continuum. Science invented
its concept of the "ether"--in distinction from the ethers
identified by Rudolph Steiner--because there could not be
electromagnetic waves without something for them to wave in.)
The Drown instrument similarly begins with an antenna or
aerial. The patient is the broadcasting source, emitting a jumble
of different bioenergetic vibrations. This vibratory activity is
conducted to the tuning section of the Drown instrument, which is
simply an antenna that may be tuned to bioenergetic vibratory
activity.
The patient sits with his feet on the end of an antenna. The
antenna collects his "broadcast"--the totality of all the
emanations from his body tissues and organs. From this totality,
the various "transmissions" from heart, lungs, liver and other
individualized structures are separated by a tuning process.
These transmissions are then compared with what are known to be
the normal transmissions from health organs and tissues.
The vibratory rate, or frequency, of any organ or other
bodily structure is established by the molecular arrangement of
material substance from which the organ is formed. This vibratory
rate is expressed numerically. The rate of liver tissue, for
example, is always the same throughout the human and animal
kingdoms. This rate does not change unless disease or malfunction
cause changes in the molecular structure of the organ.
All diseases similarly have their own distinctive vibratory
rates, and may be thereby identified. Years of cautious labor
were needed to establish these "rates" as they are called in Drown
therapy. They equate for analogy, with the frequencies assigned
to radio stations by the Federal government. Tissue rates, by
contrast, are assigned by the cosmos.
The rate of tissue in Drown therapy is established by placing
a healthy specimen on the footplates and then tuning in on the
molecular broadcast. The broadcast is broken down, in the tuning
process, into its component vibrations in general accord with
Fourier's Theorem. This process is termed "establishing a rate".
An example would be the tissue supporting the human kidneys, which
has a rate of 379. Healthy tissue of this type always has this
rate and no other.
Drown diagnosis is entirely numerical in character, and is
more firmly anchored in mathematic than any conventional approach
to diagnosis. The Drown system, by virtue of this mathematical
basis, has an inherent affinity for truth consistent with all
other mathematical processes at human disposal. All Drown
diagnosis, therapy and radiovision photography depends upon the
use of numbers. Significantly enough, the chemical ether which
we have identified as the correct, occult name for the orgone
energy, is also known to occultists as the number ether.
The vibratory rate of anything in creation may be established
by this process. Application of the instrument is not confined to
human structures or to diagnostic processes. Any element,
compound or mixture may be examined in this way and its rate
established. There are multitudes of resonances between the human
body and other kingdoms of nature, and the ancient art of gems is
one small example of how men of old perceived--and often prized--
stones and other substances sympathetically resonant to various
parts of the body and the emotions irradiating those parts.
An ordinary photograph of an artifact of any kind can be
placed on the footplates and a vibratory rate established. A
photo reproduces form, and form is produced by molecular
arrangements. In the UFO field, much has been learned through
this particular application of the Drown work, and it will be
dealt with fully in its place. Human beings today can literally
tune in on UFOs--of all types--by these methods, and personal
experience taught me that this is the way that certain unseen
entities of advanced mentality also can--and do--tune in on
humans.
When a rate is established, it is entered in an atlas, and
becomes a formal part of the technique. All bodily organs,
glands, tissues and fluids, as well as all common diseases, have
their rates listed in the atlas. Anything that can be placed upon
the input plates of the instrument can be expressed numerically in
this way. The number is derived from the emanations originating
in the substance and intimately related to its form.
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