RAH8811A.BIB 1.01                                     dh:89-02-18









                       Heinlein Chronology


This  continuation  of  my  collection of annotated bibliographic
materials   is  devoted  to  reconstructing  the  chronology   of
publication of Robert  A.  Heinlein's work.  The chronology given
by  Leon  E.  Stover  in  his  biography  is taken as a point  of
departure,  with  cross-references  to  Stover's citations of the
individual  works  with  regard to various themes taken up in the
biography.

This is by no means a comprehensive chronology, and  I  have  not
verified all of the citations.  I expect that  there  are  errors
concerning some of the changes of titles, and also concerning the
original publications.  I also regret that it is now difficult to
determine where the serializations of the juveniles appeared.  It
is my intention  to  update this chronology as better information
becomes available.
                                            -- Dennis E. Hamilton
                                                 February 8, 1989


%A Leon E. Stover
%T Heinlein Bibliography
%B Robert A. Heinlein
%I G. K. Hall & Company, Twayne Publishers
%C Boston, MA
%D 1987
%Z ISBN 0-8057-7509-9 alk. paper
%O Compiled from references throughout the work.
%K Heinlein Stover Chronology Publications Bibliography
%X I am using the Stover treatment as the basis for  a chronology
on  Heinlein's  work.    The  basic sequences are from the  front
matter and the appendix material.    The  discussions  of various
works  and  themes  result from a page-by-page  analysis  of  the
complete  bibliography.    As  in  the   similar   commentary  on
biographical matters,  references in the form [LS:...] are to the
Stover biography, [EU:...] is to Heinlein's  own  commentaries in
"Expanded Universse."  I  have  also  added  additional citations
from other sources and corrected a few of the misprinted listings
in [LS].  I have  maintained the chronology of first publication,
to the extent known, so that  there  is a firm perspective on how
the  author's  work  developed and overlapped.  Of course, a more
reliable treatment  would review when the works were written, not
published, even though  most  of Heinlein's short works appear to
have  sold  quickly.      By   Heinlein's   own   admission,  the
chronological work was not  without  influence  from contemporary
affairs and personal  experiences  (such as his ideas about world
government and the experience of  visiting the Soviet Union).  It
is  therefore  useful  to match the chronology with events in the
lives of the Heinleins and of America.
   Robert A. Heinlein.  Life-Line.   Astounding  Science Fiction.
August, 1939.  Collected in The Man Who Sold the Moon (1950), The
Worlds of Robert A.  Heinlein  (1966),  The Past through Tomorrow
(1967),  Expanded  Universe  (1980).   circumstances for writing,
rejection  by Colliers  [LS:21-22];  heroic  capitalism  [LS:30];
contrast of Pinero and Shipstone  [LS:68];  tale  of  election of
grace  [LS:100-101];  fact  over  theory   [LS:102-103];  destiny
[LS:104].
   Robert A. Heinlein.    Misfit.    Astounding  Science Fiction.
November, 1939.  Collected  in  Revolt  in  2100 (1953), The Past
through Tomorrow (1967). personal destiny  [LS:104-105]; one-and-
the-many [LS:110-111].
   Robert A. Heinlein.   Requiem.    Astounding  Science Fiction.
January, 1940.  Collected in The Man Who Sold  the  Moon  (1950),
The Past through Tomorrow (1967).  value of honest labor [LS:16];
space ship "Lunatic," The Man Who Sold the Moon [LS:25]; personal
destiny [LS:105-106].
   Robert  A.  Heinlein.   If This Goes On--.  Astounding Science
Fiction.  March,  1940.   Collected in Revolt in 2100 (1953); The
Past through Tomorrow (1967).    testament  against revolutionary
elites [LS:68]; women and combat [LS:70-71].
   Lyle  Monroe.  Let There Be Light.    Super  Science  Stories.
May,  1940.   Collected in The Man  Who  Sold  the  Moon  (1950).
belongs  in  Future  History  [LS:36];  opposition  to  protected
monopolies  [LS:44];  learning  experience  in   human  relations
[LS:65].
   Robert A. Heinlein.  The  Roads Must Roll.  Astounding Science
Fiction.  June, 1940.  Collected in The Man  Who  Sold  the  Moon
(1950).  relationship to  1981  air-trafffic  controllers' strike
[LS:7].
   Robert A. Heinlein.  Coventry.    Astounding  Science Fiction.
July, 1940.  Collected in Revolt in 2100 (1953); The Past through
Tomorrow (1967).  viewpoint [LS:114-121]; impossibility of social
control [LS:120].
   Robert A.  Heinlein.    Blowups  Happen.    Astounding Science
Fiction.  September,  1940.    Collected  in The Man Who Sold the
Moon  (1950);  The  Worlds of Robert A. Heinlein (1966); The Past
through Tomorrow (1967), Expanded Universe (1980).    relation to
1986  Chernobyl disaster [LS:7]; individuals over  insurmountable
obstacles [LS:27]; reference to D.D. Harriman [LS:41].
   Robert A. Heinlein.  The Devil Makes the Law.  Unknown Worlds.
September, 1940.  Collected as  "Magic, Inc." in Waldo and Magic,
Inc. (1950).  Heinlein's first fantasy story [LS:34-35].
   Anson MacDonald.  Sixth Column.   Astounding  Science Fiction.
January-March, 1941.  Published as The Day after Tomorrow (1949).
Signet Books  edition, 1949.  Later reprints restore the original
title.
   Robert  A.  Heinlein.  --And  He  Built  a   Crooked  House--.
Astounding Science Fiction.  February, 1941.  Collected in 6  x H
(1959).  relationship  to  Claude Bragdon's 1913 Primer of Higher
Space  [LS:4]  part  of  Future  History  anthologized  elsewhere
[LS:36].
   Robert  A. Heinlein.  Logic of  Empire.    Astounding  Science
Fiction.  March,  1941.    Collected  in The Green Hills of Earth
(1951); The  Past through Tomorrow (1967).  Frederick Douglass on
freedom [LS:62]; one-and-the-many [LS:110-111].
   Robert  A. Heinlein.  They.  Unknown  Worlds.    April,  1941.
Collected  in  6  x  H  (1959).    not solipsistic  [LS:106-108];
Glaroon  of "Job" [LS:106]; collective immortality  [LS:108-109];
volition [LS:109-110].
   Robert A. Heinlein.  Universe.    Astounding  Science Fiction.
May, 1941.  10 cent Dell Book (New  York:  1951).    Collected in
Orphans of the Sky (1964).   failure of first starship "Vanguard"
[LS:25];  part  of  Future  History  but  not  collected with  it
[LS:36]; fact versus theory [LS:104].
   Anson MacDonald.  Solution Unsatisfactory.  Astounding Science
Fiction.    May, 1941.  Collected in  The  Worlds  of  Robert  A.
Heinlein (1966), Expanded Universe (1980).
   John W. Campbell.   History  to Come (editorial).  plan of the
Future History Series.    Astounding Science Fiction.  May, 1941.
pp. 5, 123-125.  The now-famous table is updated and reprinted in
many of the  collections,  and  is  found  on  pp.660-661  of the
Berkley Medallion edition of "The Past Through  Tomorrow (1967)."
type-casting  and  need  for  pseudonyms  [LS:35-36];  origin  of
"Future History" [LS:63].
   Anson  MacDonald.    We Also Walk Dogs.    Astounding  Science
Fiction.   July, 1941.  Collected in The  Green  Hills  of  Earth
(1951), The Past Through Tomorrow (1967).
   Robert  A.  Heinlein.    Methuselah's  Children.    Astounding
Science  Fiction. July-September, 1941.  (3-part  serialization).
1958.  Signet Books edition, 1960.  Collected in The Past through
Tomorrow (1967).  connection  with  Universe,  success  of second
starship, "New Frontiers" [LS:25];  Howard  Families  as metaphor
for   American   pluralism   [LS:62];  selflessness  as  laziness
[LS:93-94].
   Caleb Saunders.    Elsewhere.    Astounding  Science  Fiction.
September,  1941.    Collected  as  "Elsewhen"  in  Assignment in
Eternity (1953). only use of this pseudonym, metaphorical fantasy
[LS:37]; method of transport [LS:39].
   Robert  A.  Heinlein.    Common  Sense.    Astounding  Science
Fiction.  October, 1941.  Collected in Orphans of the Sky (1964).
part of Future History, but not collected with it [LS:36].
   Anson MacDonald.    By  His  Bootstraps.    Astounding Science
Fiction.  October,  1941.   Collected in The  Menace  from  Earth
(1959).      only  story  dealing   with   individual   damnation
[LS:98-100]; free will and predestination [LS:126].
   Lyle Monroe.  Lost Legion.   Super Science Stories.  November,
1941.    Collected  as "Lost Legacy" in  Assignment  in  Eternity
(1953).  playful treatment of ghost-horror subgenre [LS:34-35].
   John W. Campbell.  editorial announcement.  Astounding Science
Fiction.  February, 1942. p.35.  Reports return of both Robert A.
Heinlein and Anson MacDonald to navy service [LS:36].
   Lyle Monroe.  My Object All Sublime.  Future.  February, 1942.
   Anson MacDonald.  Goldfish Bowl.  Astounding  Science Fiction.
March,  1942.    Collected  in  The  Menace  from  Earth  (1959).
aliens/gods [LS:109].
   Anson MacDonald.  Beyond  This  Horizon.    Astounding Science
Fiction.    April-May,  1942.  1948.  Signet Books edition, 1960.
failed  genetic  utopia,  man  as  a  wild  animal  incapable  of
domestication for any purpose whatever [LS:33].
   Anson MacDonald.  Waldo.  Astounding Science Fiction.  August,
1942.   Collected in Waldo and Magic,  Inc.  (1950).  last  story
written before returning to service  in  December,  1941 [LS:36];
magical power source [LS:39].
   John Riverside.  The Unpleasant Profession  of  Jonathan Hoag.
Unknown Worlds.    October,  1942.    Collected  in 6 x H (1959).
comments on  choice  of  name,  pure  fantasy  [LS:38]; realistic
companionate marriage [LS:64-65];  comparison  to Bonner-Sakharov
struggle [LS:65].
   Robert  A.  Heinlein.    Testing   in   Connection   with  the
Development of Strong Plastics for Aircraft.  Naval Air Materials
Center (Philadelphia: 1944).  invention  of  space  suit  with L.
Sprague de  Camp  [LS:22];  virtues  of  clear  technical writing
[LS:23].
   Robert A. Heinlein.    Dance session.  unpublished poem (June,
1946).  Collected in New Destinies 6 (Winter, 1988).
   Robert A.  Heinlein.  The witch's daughters.  unpublished poem
(August, 1946).  Collected in New Destinies 6 (Winter, 1988).
   Robert  A.  Heinlein.    The  Green Hills of Earth.   Saturday
Evening Post.    1947.    Collected  in  The Green Hills of Earth
(1951); The Past through Tomorrow  (1967).  Stover lyrics for "Up
Ship!"  [LS:preface];  Mars   [LS:55];  ethical  meaning  of  new
frontiers [LS:94-95]; ownership of good works [LS:119].
   Robert A. Heinlein.  Space  Jockey.    Saturday  Evening Post.
April 26, 1947.  Collected in The Green Hills  of  Earth  (1951),
The Past through Tomorrow (1967).
   Lyle Monroe.  Pied Piper.  Astonishing Stories.  May, 1947.
   Lyle Monroe.  Columbus  Was  a Dope.  Startling Stories.  May,
1947.  Collected  in  The  Menace  from Earth (1959).  belongs in
Future History [LS:36].
   Robert A. Heinlein.  It's Great to Be Back!   Saturday Evening
Post.  July  26,  1947.    Collected  in The Green Hills of Earth
(1951), The Past  through  Tomorrow  (1967).    pioneering spirit
[LS:32-33].
   Robert  A.  Heinlein.   Jerry Is  a  Man.    Thrilling  Wonder
Stories.   October,  1947.    Collected  as  "Jerry Was a Man" in
Assignment in Eternity (1953).
    Robert  A.   Heinlein.    Water  is  for  Washing.    Argosy.
November, 1947.  Collected in The Menace from Earth (1959).
   Robert A. Heinlein.   On  the  Writing of Speculative Fiction.
pp. 11-19 in Of  Worlds  Beyond:  The  Science of Science Fiction
Writing.   Lloyd Arthur Eshback, ed.    Advent  (Chicago:  1947).
pulling fantasy  and  science  fiction  together  as  speculative
fiction [LS:35].
   Robert A. Heinlein.  The Black Pits of Luna.  Saturday Evening
Post.  January 10, 1948.   Collected  in The Green Hills of Earth
(1951), The Past  through  Tomorrow (1967).  pioneering types and
spirit [LS:30-31].
   Robert A. Heinlein.  Ordeal in  Space.   Town & Country.  May,
1948.  Collected  in  The  Green  Hills of Earth (1951), The Past
through Tomorrow (1967).
   Robert  A. Heinlein.  Gentlemen, Be Seated!    Argosy.    May,
1948.  Collected  in  The  Green  Hills of Earth (1951), The Past
through Tomorrow (1967).
   Robert A. Heinlein.  Our Fair City.  Weird  Tales.    January,
1949.  Collected in 6 x H (1959).
   Robert A. Heinlein.  Rocket  Ship  Galileo.    Scribner's (New
York: 1947).
   Robert  A.  Heinlein.   Space Cadet.   Scribner's  (New  York:
1948).    Heinlein's  affection  for  the  academy  life [LS:18];
connection to The Long Watch [LS:41].
   Robert  A.  Heinlein.    The  Long  Watch.    American  Legion
Magazine.  December, 1949.  Collected in The Green Hills of Earth
(1951),  The  Past  through  Tomorrow  (1967),  New  Destinies  6
(Winter, 1988).  connection to Space Cadet [LS:41].
   Robert A. Heinlein.  Delilah and the Space Rigger.  Blue Book.
December,  1949.    Collected in The Green Hills of Earth (1951),
The Past through Tomorrow (1967).
   Robert  A.  Heinlein.    Gulf.    Astounding  Science Fiction.
December, 1949.   Collected  in  Assignment  in  Eternity (1953).
connection to "Friday" [LS:p.67]; superman stories [LS:67-68].
   Robert A. Heinlein.  Red Planet.  Scribner's (New York: 1949).
Lowell's Mars here, in Stranger in a Strange Land, and  the Green
Hills of Earth [LS:55].
   Robert A.  Heinlein.  Destination Moon.  Short Story Magazine.
September,  1950.    Collected  in  Three  Times  Infinity,  Leon
Margulies,  editor.    Gold   Medal   Books,   1958.    costs  of
exploration, Challenger disaster [LS:44-45].
   Robert  A.  Heinlein.    Destination  Moon  (screenplay).   An
Eagle-Lion release produced by  George  Pal,  directed  by Irving
Pichel, featuring John Archer, Warner Anderson,  Tom  Powers, and
Dick  Wesson (with cameo appearance by  Woody  Woodpecker).    91
minutes, color. [LS:134 chapter 5 note 3].
   Robert  A. Heinlein.  The Man Who Sold  the  Moon.    Original
story  included  in  the  collection  of  the  same  name,  1950.
Collected  in  The  Past  through  Tomorrow (1967).   drawing  on
pioneering forbearers [LS:8]; relationship of D.  D.  Harriman to
Edward  Henry Harriman, Carlyle [LS:9]; cats [LS:14];  Harriman's
wonderful   dream  [LS:16];  spaceship  "Santa  Maria"   [LS:25];
significance of renaming from "Care Free",  divine  ordination of
human   diaspora   into   space,   space  and  peace  [LS:27-28];
responsibility    of    wealth    [LS:87-88];    one-and-the-many
[LS:110-113].
   Robert A. Heinlein.  The Man Who Sold the Moon.  1950.  Signet
Books edition, 1973.   Collection  of  Blowups Happen (1940), Let
There Be Light (1940),  Life-Line  (1939),  The  Man Who Sold the
Moon (1950), Requiem (1940), and The Roads Must Roll (1940).
   Robert A. Heinlein.  Farmer in the Sky.  Scribner's (New York:
1950).  hard work and unconquerable courages [LS:44].
   Robert A. Heinlein.  Waldo and Magic, Inc.  (Waldo:  Genius in
Orbit). Doubleday (New York:  1950).    Avon Books edition, 1950.
Del Rey  Ballantine Books edition, 1986. Collects The Devil Makes
the Law (1940) and Waldo (1942).
   Robert A. Heinlein.    Between Planets.  Scribner's (New York:
1951).
   Robert  A.  Heinlein.   The Puppet Masters.    Galaxy  Science
Fiction.  September  -  November,  1951.    1951.    Signet Books
edition, 1951.
   Robert A. Heinlein.  Tom  Corbett,  Space  Cadet.   Television
series.  1951  to  1954.    Videotapes  available  in  catalog of
Nostalgia Merchant, A Division of Media Home  Entertainment, Inc.
(Culver  City,  CA)   [LS:134 chapter 5 note 4].  This series was
Heinlein's concoction,  according  to  Raymond  J.  Healy  and J.
Francis McComas in "Famous Science Fiction Stories: Adventures in
Time and Space" [Modern Library (New York: 1946,  1957)].   based
on "Space Cadet (1948)" [LS:45].
   Robert A. Heinlein.  The Green Hills of Earth.  1951.   Signet
Books  edition, 1951.  Collection of The  Green  Hills  of  Earth
(1947), The Black Pits  of  Luna  (1948),  Delilah and the Space-
Rigger (1949), Gentlemen, Be Seated!  (1948),  It's  Great  to Be
Back!  (1947), Logic of Empire (1941),  The  Long  Watch  (1949),
Ordeal  in  Space  (1948), Space Jockey (1947), We Also Walk Dogs
(1941).
   Robert A. Heinlein.  The Year of the Jackpot.   Galaxy Science
Fiction.  March,  1952.    Collected  in  The  Menace  from Earth
(1959).  atypical outcome [LS:98].
   Robert A. Heinlein.    Where  To?    Life in 2000 A.D.  Galaxy
Science Fiction. 1952.  Predictions first  updated  as "Pandora's
Box" in The Worlds of Robert A. Heinlein (1966) and updated again
as "Pandora's Box" and "Where To?" in Expanded Universe (1980).
   Robert  A.  Heinlein.   Ray Guns  and  Rocket  Ships.    1952.
Collected in  Expanded Universe (1980).  on writing for juveniles
[LS:10-11].
   Robert  A. Heinlein.  The Rolling  Stones.    Scribner's  (New
York: 1952).  room enough "to swing a cat" [LS:14]; excellence of
technical  exposition  [LS:23];  instructive  influence   of  the
Heinlein juveniles [LS:24]; message [LS:43].
   Robert A. Heinlein, ed.    Tomorrow the Stars.  1952.  Berkley
Books edition, 1967.
   Robert A. Heinlein.    Project  Nightmare.    Amazing Stories.
April, 1953.  Collected in The Menace from Earth (1959).
   Robert A. Heinlein.  Sky  Lift.  Imagination.  November, 1953.
Collected in The Menace from Earth (1959).
   Robert A. Heinlein.  Starman  Jones.    Scribner's  (New York:
1953).  rating with Huckleberry Finn and Treasure Island [LS:10];
theological reading [LS:115-116].
   Robert  A.  Heinlein.   Assignment in Eternity.  1953.  Signet
Books edition, 1970.    Collects  Elsewhen  (1941),  Gulf (1949),
Jerry Was a Man (1947), and Lost Legacy (1941).
   Robert  A. Heinlein.  Revolt in 2100.   1953.    Signet  Books
edition,  1970.    Collects Coventry (1940), If  This  Goes  On--
(1940), and  Misfit (1939).  disclaimer of any predictive ability
[LS:63].
   Robert  A.  Heinlein.   The Star Beast.  Scribner's (New York:
1954).
   Robert A. Heinlein.  Project Moonbase  (screenplay).   Lippert
Productions.
   Robert A. Heinlein.  Tunnel in the Sky.  Scribner's (New York:
1955).  juvenile heroism [LS:31-32].
   Robert A. Heinlein.  Double Star.  Astounding Science Fiction.
February-April, 1956.  1956  Hugo  Award.   Signet Books edition,
1970.  Farleyfiles [LS:18-19].
   Robert  A. Heinlein.  Time for the  Stars.    Scribner's  (New
York: 1956).  basics of mental health [LS:23-24].
   Robert A. Heinlein.  The Door Into Summer.   The  Magazine  of
Fantasy and Science Fiction.    October-December,  1956.   Signet
Books  edition,  1975.    opening  paragraph  compared  with  Poe
[LS:4-5];  Petronius  the  Arbiter  and  a  former  Heinlein  cat
[LS:14];   recovery   from    loss    [LS:20];   one-and-the-many
[LS:110-111].
   Robert A. Heinlein.   The  Menace from Earth.  The Magazine of
Fantasy and Science Fiction.    August,  1957.   Collected in The
Menace from Earth (1959).
   Robert  A.  Heinlein.    The  Man Who Traveled  in  Elephants.
Saturn.  October, 1957.  Collected as "The Elephant Circuit" in 6
x H (1959).  Collected in New Destinies 6 (Winter, 1988).  ideals
of sex quality [LS:65].
   Robert A. Heinlein.  Citizen of the Galaxy.    Scribner's (New
York:   1957).  frontier   advantages   [LS:31];   knowledge   of
anthropology, Margaret Mader = Margaret Mead [LS:40]; First Human
Civilization to come [LS:95].
   Robert  A.   Heinlein.    Have  Space  Suit  --  Will  Travel.
Scribner's (New York: 1958).   comparison  with  Huckleberry Finn
and Treasure Island [LS:10];  modern  chivalry  [LS:74];  cult of
mediocrity  [LS:90]; responsibility of natural gifts  [LS:90-93];
theological reading [LS:116].
   Robert  A.  Heinlein.    All  You Zombies--.  The Magazine  of
Fantasy  and  Science  Fiction.  March, 1959.  Collected in 6 x H
(1959).  breaking  out  of  the  mold under his own name [LS:38];
rejection, not embrace of solipsism [LS:41].
   Robert A. Heinlein.    The  Menace  from Earth.  1959.  Signet
Books edition, 1970.  Collects By His Bootstraps (1941), Columbus
Was  a  Dope  (1947), Goldfish Bowl (1942), The Menace from Earth
(1957), Project Nightmare  (1953),  Sky Lift (1953), Water is for
Washing (1947), The Year of the Jackpot (1952).
   Robert A. Heinlein.  6 x H.   1959.    Pyramid  Books edition,
1961.  Reprints All You Zombies (1959), And He  Built  a  Crooked
House (1941),  The Elephant Circuit (1957), Our Fair City (1949),
They (1941),  and  The  Unpleasant  Profession  of  Jonathan Hoag
(1942).
   Robert  A.  Heinlein.   Starship Troopers.   The  Magazine  of
Fantasy and Science Fiction.  October - November, 1959.  Putnam's
(New York: 1960).  1960 Hugo Award. Signet  Books  edition, 1961.
rejection by Scribner's, although one of  the  juveniles [LS:45];
criticism, SFWA,  SFRA, fascism [LS:46-47, 134 chapter 5 note 6];
moral  difference  between  soldiers  and  civilians  [LS:47-52];
metaphor for the cold war [LS:60].
   Robert A. Heinlein.  Stranger in a Strange Land.  1961.   Avon
Books edition, 1962.  1962 Hugo  Award.   First book by a devoted
science-fiction writer to reach the  New  York  Times best-seller
list.  invention  of  water  bed  [LS:18];  sexuality [LS:53-55];
purpose  of  sex,  primacy  of  women  [LS:54];  getting rich  in
America,   religion   [LS:55-56];   phony  Charles  Manson  story
[LS:56-57]; Red Planet  [LS:55]; critical self-reflection and the
American  identity  [LS:57-60];  title  not   Heinlein's  [LS:134
chapter 6 note 3].
   Robert  A.  Heinlein.    Searchlight.    Scientific  American.
August,  1962.  Fortune.  September, 1962.    (and  many  others:
printed  as  part  of an advertising campaign).  Collected in The
Worlds of Robert A.  Heinlein  (1966);  The Past through Tomorrow
(1967).  factual basis [LS:2; EU:447-452].
   Robert A. Heinlein.  Podkayne of  Mars.   If.  November 1962 -
March 1963.  Putnam's (New York: 1963).   Berkley  Books edition,
1975.  use of viewpoint for ironic  defamiliarization [LS:11-12];
Bertrand   Russell  [LS:12];  intended  as  juvenile,  delay   in
publication [LS:45-46].
   Robert A. Heinlein.  Glory Road.  The Magazine of  Fantasy and
Science Fiction.  July-September, 1963.   Berkley  Books edition,
1970.  importance of heroes [LS:52].
   Robert A. Heinlein.   Farnham's  Freehold.   If.  July-August,
1964.  Signet Books  edition,  1965.   branded racist [LS:60-61];
duty to family [LS:61]; Heinlein's  only  graphical  depiction of
sex [LS:64].
   Robert A. Heinlein.  Orphans of the Sky.  1964.   Signet Books
edition, 1965.   Collects Universe (1941) and Common Sense (1941)
under one cover.
   Robert  A.  Heinlein.  The Moon is  a  Harsh  Mistress.    If.
December 1965 - April 1966.  1966.   1967  Hugo  Award.   Berkley
Books edition,  1968.    colonial  spirit  [LS:32-33];  socialist
origins of  TANSTAAFL!  [LS:83-84];  importance  of  manners  and
relationship to The Cat Who Walks Through Walls [LS:84-85].
   Robert  A.  Heinlein.   Free Men.  Original story prepared for
The Worlds of Robert  A.  Heinlein.  1966.  Collected in Expanded
Universe (1980).
   Robert A. Heinlein.  The Worlds of Robert A.  Heinlein.    Ace
Books (New York: 1966).   Collection  of  Blowups  Happen (1940),
Free  Men (1966), Life-Line (1939), Searchlight (1962),  Solution
Unsatisfactory (1941).  Updates "Where To?" (1952)  as "Pandora's
Box."  Updated and expanded in "Expanded Universe (1980)."
   Robert A. Heinlein.  The Past through Tomorrow.  G.P. Putnum's
(New  York:  1967).    Berkley  Medallion  Books  edition,  1975.
Collects The Black Pits  of  Luna  (1948), Blowups Happen (1940),
Coventry (1940), Delilah  and the Space-Rigger (1949), Gentlemen,
Be Seated! (1948), The Green Hills of Earth (1947), If  This Goes
On--  (1940), It's Great to be  Back  (1947),  Life-Line  (1939),
Logic of Empire (1941),  The  Long Watch (1949), The Man Who Sold
the Moon  (1950),  The  Menace  from  Earth  (1957), Methuselah's
Children (1941), Misfit (1939), Ordeal in  Space  (1948), Requiem
(1940), Searchlight (1962), Space  Jockey  (1947),  We  Also Walk
Dogs (1941).  subtlety of the title [LS:25-26].
   Robert  A. Heinlein.  I Will Fear No  Evil.    Galaxy  Science
Fiction.  July-December, 1970.   Putnam's (New York: 1970).  when
the fans themselves complain [LS:62]; the great  brain transplant
joke [LS:63-64].
   Robert A. Heinlein  (guest commentator). p.107 in "10:56:20PM,
EDT,  7/20/69:  The  historic conquest of the moon as reported to
the  American people by CBS over  the  CBS  Television  Network."
Columbia Broadcasting  System  (New  York:  1970).    presence of
Arthur C. Clarke, Isaac Asimov, Ray Bradbury, and Walter Cronkite
[LS:43].
   Robert  A.  Heinlein.    Channel  Markers.    James  Forrestal
Memorial Lecture  delivered at the U. S. Naval Academy, Anapolis.
April 5, 1973.  Tape recording no. 190, "Forrestal Lecture at the
U.S. Naval Academy", American Audio Prose Library  (Columbia, MO:
1973).  Guest editorial in Analog  Science  Fiction/Science Fact.
January, 1974.  Reprinted  as  "The  Pragmatics of Patriotism" in
Expanded Universe (1980). inspirational guidance of young readers
[LS:1-2].
   Robert  A.  Heinlein.    The   Notebooks   of   Lazarus  Long.
Astounding Science Fiction.  June  1973.  Portions of Time Enough
for  Love  (1974).   Collected in New Destinies 6 (Winter, 1988).
sanity of  "horse  sense,"  relationship  to  Twain's  Pudd'nhead
Wilson [LS:9-10];  positive  outlook  on  human  future  [LS:12];
virtues  of free  enterprise  [LS:13];  ailurophilia  [LS:13-14];
self-reliance, human selfishness as virtue [LS:27-29]; inequities
of life, nature  [LS:32];  protection of pregnant women and young
children, basis of society [LS:54]; sex and love [LS:64]; life is
rigged  [LS:83];  Protestant  work ethic [LS:88-90]; self-respect
[LS:93];   selfishness  as   productive   force   [LS:95];   duty
[LS:96-97];  human  race,  immortality  of Man [LS:101-102]; fact
versus theory [LS:103-104]; humanity/Deity [LS:120-121].
   Robert A. Heinlein.    Time  Enough  for  Love:  The  Lives of
Lazarus  Long.  1973.  Berkley Books edition,  1974.    New  York
Times best-seller  list. resumption of Lazarus Long epic begun in
Methuselah's  Children  (1941)  [LS:chronology];  inspiration  by
grandfather  Alva  E.  Lyle  [LS:8-9];  pioneering  in  starships
[LS:25]; superiority of women to men [LS:65];  oedipal indictment
[LS:73];   epic  form  [LS:73-74];  Howard  Foundation   [LS:74];
Emersonian  self-reliance  [74-78];  family  virtues  [LS:76-78];
women-and-children-first   [LS:71];   group   marriage   [LS:71];
calvinist determinism [LS:88-89]; time enough for love [LS:93].
   Robert  A. Heinlein.  No Bands  Playing,  No  Flags  Flying--.
1973.  Collected in Expanded Universe (1980).   treatment  of bed
patients [LS: 18]
   Robert  A.  Heinlein.  Developments  in  Theoretical  Physics.
1975 Compton Yearbook.  Encyclopeida Britannica, Inc.  [LS:66].
   Robert  A. Heinlein.  History of  Hematology.    1976  Compton
Yearbook.  Encylclopedia Britannica, Inc.  Reprinted  as pamphlet
"Are You a `Rare Blood'?" [LS:66].
   Robert A.  Heinlein.  Applications of Space Technology for the
Elderly and Handicapped.  Testimony before a joint session of the
House  Select  Committee  on  Aging  and the House  Committee  on
Science and Technology.  Washington, DC.  July 19, 1979.
   Robert  A.  Heinlein.   The Number  of  the  Beast.    Fawcett
Columbine (New York: 1980).   New  York  Times  best-seller list.
featuring  Lazarus  Long   [LS:chronology];  "where  cat  is,  is
civilization"  [LS:14];  a  romp  [LS:39];   magic,  multiple-ego
solipsism,  contrast  to  Waldo   (1942)   and   Elsewhen  (1941)
[LS:39-40]; connection with Lucifer, 666, Job [LS:42]; Heinlein's
one "puzzle" book [LS:67].
   Robert A. Heinlein.  A Bathroom of Her Own.  1980.   Collected
in Expanded  Universe  (1980).    Heinlein's  political  campaign
experience [LS:18].
   Robert A. Heinlein.  Expanded  Universe.  Ace Books (New York:
1980).   Updating of "Worlds of Robert  A.  Heinlein  (1966)"  to
include 21 uncollected pieces plus commentaries on all of them.
   Robert  A.  Heinlein.   Friday.  Holt, Rinehart & Winston (New
York:  1982).    "Friday's  heroine  is  named  after  the  Norse
fertility goddess Freya.   Indeed,  she  herself  is one of those
mythical  creatures  of  science-fiction  convention,   a  bionic
construct, partly human and  partly  artificial.   This gives her
the  advantage  of  an  outsider's  viewpoint, like that  of  the
proverbial Martian, which she does  not  hesitate  to articulate.
[LS:p.67]"  New York  Times  best-seller  list.  Re-appearance of
Hartly  Baldwin  from "Gulf" [LS:p.67];  cheap  power,  Shipstone
devices   [LS:44,  68];  arguments  against  particularism   (vs.
pluralism) [LS:68-69]; civility and manners  [LS:69-70]; cultural
criticism [LS:71-72].
   Robert  A.  Heinlein.    Job:  A  Comedy  of Justice.    1984.
Ballantine Books edition, 1984.  New York Times best-seller list.
virtue  over moral instruction, recovery from adversity  [LS:20];
connection with The  Number  of the Beast [LS:42]; favored versus
Starship  Trooper [LS:49]; eqalitarian marriage [LS:65];  mockery
of Moral Majority  [LS:78-79];    Holy  City  and  Stranger  in a
Strange Land  [LS:79-80];  Koschei  and  Jurgen  [LS:80-81];  the
comedy of justice [LS:81-82]; Glaroon in "They" [LS:106].
   Robert A. Heinlein.  The Cat Who Walks through Walls: A Comedy
of Manners.   Putnam's  (New  York:  1985).  New York Times best-
seller list.  featuring Lazarus Long [LS:chronology]; horse sense
as the real thing [LS:10]; published on 150th anniversary of Mark
Twain's birth [LS:14]; Pixel, the Heinlein's cat  [LS:14]; multi-
person  solipsism  [LS:40]; possibilites of  legal,  social,  and
political  order  of off-Earth habitats  [LS:12-13];  lessons  of
diplomacy [LS:20]; "the manners are the  morals,"  Edmund Spenser
[LS:20];  sequel  to  The  Moon  is  a  Harsh  Mistress  [LS:83];
significance of manners [LS:84-85].
   Robert  A. Heinlein.  A Message to  the  Berkley  Sales  Force
concerning "The Cat Who  Walks  through  Walls."  tape recording.
April 26, 1986.   Transcript  in  Heinlein  archive with opus 188
[The Cat Who Walks through Walls].  banned in Las Vegas [LS:123].
   Robert A. Heinlein.  To Sail beyond the  Sunset--.   Published
July  7,  1987  on Heinlein's 80th birthday.    social  criticism
[LS:122-125];      D.D.Harriman   again   [LS:125];   free   will
[LS:125-126]; Heinlein's vision for humanity [LS:126-128].
   Robert A. "Beast" Heinlein.  The Names of the  Beast  in  "The
Number of the  Beast."    pp.  129-130 in "Robert A. Heinlein" by
Leon  Stover.    Twayne G. K.  Hall  (Boston:  1987).    biblical
allusions, fantasy celebration [LS:39-40].
   Robert  A.  Heinlein.   Grumbles from the Grave.  Writings set
aside   for   posthumous  publication.     Scheduled   for   1990
publication.